I’m very glad I had the chance to finish this book last week. I’d been excited to read the final book in the trilogy, and I wasn’t disappointed. To remind you all what’s happened so far, please check out my review of Magic-Price land my review of Magic-Scars.
Spoiler Free Summary: Magic-Borne is the final book in the Crown of Stones trilogy. It takes place pretty soon after the events of Magic-Scars. Ian is trying to solve the mystery of his scars, save a loved one, defeat his father, and find a way to bring peace to the land. We get a lot of questions answered and the readers will get a complete resolution, which is all any reader of a series can ask for these days.
Character: Ian is still amazing. His arch shows a lot of progress from the character we met in Price. He shines more in this book. I’ll admit I missed some of the other characters who, while still in the book, didn’t get as much air time as I’d have liked, but Ian is, and should be, why people are reading the series. In my review of the last book, I’d noted I would have liked more from them, but I think pulling back a bit was a sound decision. Jarryd had some major impact moments that showed his evolution in some pretty powerful ways, but the rest of the characters simply don’t get a lot of face time. It’s understandable given the ending, but I won’t lie that I wished they had a bigger role.
Exposition: This is about the same as the last book. Schneider has a knack for blending exposition with description to help the reader avoid large blocks of data dumping. I almost never notice the exposition in her work.
Worldbuilding: So what I have to do here is admit that if someone shouts that the ending “seems” convenient (or at least the plot device that brings about the end), I couldn’t get too angry because I’d understand what they see. I’d like to argue though that what Schneider did here is not MUCH different (if not even done better) than what McCaffrey did in Dragon Riders of Pern. Before anyone throws stuff at me, realize I’m only drawing a correlation between plot devices.
Pern is my favorite series (by a lot) and will always be. But if the plot device in that series didn’t bother you, the plot device in this one shouldn’t either. Schneider did a great job closing all the loops here and letting the readers learn about a complex magic system as they needed to. She sets up the ending to be complete and fulfilling while simultaneously leaving the door open for more books from that world.
Dialogue: I’d say the dialogue in Scars was better. There were scenes and arguments in Borne that felt a little quick for me. As I write this, I’d have to say Scars was my favorite in the series on a lot of fronts. That doesn’t take away from what this book is and could be. The biggest difference stylistically was the pace of the dialogue. Even the amount of dialogue felt a bit more rushed in this book. This was not to a degree as to degrade the quality, just not the same crips, visceral dialogue we saw in Scars. It’s still a great book. I just felt this was a weaker element of the book.
Description: I mentioned problems with how I saw characters in the review for Scars, and Schneider followed up her novel with much more character description. Her extra attention to smaller character details made the book that much more visceral than the last. I thought this was a great blend between setting, scene, and character description. This was an improvement from Scars to Borne.
A note on content: I don’t think this book is as explicit as Scars. There are some adult scenes in this book too. This still serves as a plot device as intimacy is a theme that shifts through each book. Where as with straight romance (note, I’ve only read two), you tend to see scenes like this for the sake of scenes like this. Here, you get steam and impact for the character. That’s something I appreciate.
Overall: I stand by my opinion that Scars is the best of the three, but this book is a very satisfying and complete conclusion to a great story. Where Scars upped the drama and the emotion, Borne lets us slip into the the resolution like a warm bath. I appreciate how this story tied up all the loose ends and let us leave this world feeling as if we’ve seen all there is to see, for now. This also holds true to how I usually feel about trilogies. I tend to like the second act best because that’s where the most drama is. That makes this book a perfect conclusion. No, it’s not the most exciting book because it can’t be. A reader has to leave a story knowing there’s nothing more (in a manner of speaking) to be seen from this arc. Borne does that. If Schneider ever decides to go back, I’m going to be immensely pleased. This was a sold, complete, well told story with an amazing protagonist and a fascinating twist on a few old tropes.
Thanks for reading