Spoiler Free Summary: The Blacksmith’s Son by Michael G. Manning takes place 2,000 years after Betrayer’s Bane, which was December Book Cover of the Month, which I reviewed and you can find here. I started this series up right away via Audible because I loved Embers so much. Mordecai was raised as a humble son of a blacksmith with some rather affluent friends. Just as he learns the truth of his birth, he also discovers his magical ability and makes a powerful enemy. When everything in his life should start looking up, it all takes a turn, and Mort must figure it all out before the secrets that led to his unusual upbringing come back to haunt the kingdom of Lothion.
Character: Mordecai is a fun character. He’s clever and proactive. Some may think he’s too good at too many things, but I like a skilled character. He’s not a Mary Sue by any stretch of the imagination, but some might argue how quickly he learns. What I like about him is his emotions. He’s a passionate person (meaning he cares deeply). A lot of his conflict starts with how he reacts to certain people or events. That emotion (I’ve actually finished the whole series and will post reviews in time) is what draws me to him and helps me connect to him. Dorian is someone I want to highlight. I like him. He’s my favorite character in the series. He’s a solid, stand-up, white-hat kind of guy. He’s honest, fair, and truthful to a fault. These traits make him a charming character to meet.
Exposition: Manning breaks the fourth wall quite freely here, and that reduces the impact of any exposition. Told (mostly) in first person, the story does have a touch or two moments of exposition, but Manning does something here that I don’t see often. He switches perspective. Most of the story is told by Mort, but the story switches to third-person omniscient and back. It’s actually a bit jarring for a reader the first few times it happens. That said, the technique allows Manning to get around some of the info dumps first person usually forces. There are also excerpts from an in-world book that are pretty heavy. They serve to tease the chapter, but also tend to slow things down just a touch.
Worldbuilding: For me, the big reward of the book (and this series) was seeing the world evolve from Betrayer’s Bane. This book feels sort of more like a prequel than an actual first book. It’s a ton of setup, which bogs this first book down. Most of this book either tells us how things got to this point or set us up for the overall conflict. It doesn’t make it a boring story by any stretch, but I won’t lie. I found myself wanting to get into it. It may be unfair though coming right off of Embers. Seeing the world as it’s progressed since then was one of the major reasons I kept with it. Mageborn is a great series, but this book is more of a warmup to a great saga.
Dialogue: A lot of the exposition for this story comes through dialogue (but most authors (including me) do that). It’s noticed here because Mort is either conversing with another character about what he means to do, what’s going on with his friends, or what happened in his past. The best conversations are those between him and Penny (which are charming). His conversations with Rose (who’s honestly more like a Mary Sue than any other of these characters) are also endearing.
Description: This was pretty natural for Manning. The scenes were visceral without being overly detailed. This is the highest compliment I could offer any book.
Overall: With a charming cast and a ridiculously compelling prequel trilogy, The Blacksmith’s Son sets the stage for a new saga in Manning’s world. While not remotely Manning’s strongest book, it teases at great stories to come while it also provides clever intrigue and deep world building. Fans of large worlds and complex magic systems would enjoy this story.
Thanks for reading