As I grow as a business man, I learn more about some of the decisions writers make, and I felt it was appropriate to discuss some of these issues in an open forum. I’m really just taking a few minutes to gain a sense as to what the rest of the community of authors out there thinks about a few things that have come up during conversations or conventions.
The Amazon formula: At Awesomecon, I spoke with a few authors about a practice that I find a bit underhanded. It’s one thing for an author to release segments of a book. One wise piece of advice I’ve heard about long-form authors is to release segments, and then release an omnibus book when everything is done. However, the more sly tool I’m opening for discussion is the habit some authors have of publishing a book. Amazon tracks “Hot New Releases” for 90 days. What some due (and it works for them, so how mad should I be), is then slap a new cover on the book and re-release it. Thus restarting that 90-day tracker and keeping the book appearing on the relevant pages. As I look at covers every day, I see this on occasion, and I hear about it more (admittedly more than I actually see it). The first topic of discussion is: Is this practice bad form or what it takes to get out there? What do you authors think about the practice as a whole an any who do it? What information do you have on the subject? (I have word of mouth and a few discussions here or there.)
Writing the story that’s in your head or the story that might earn you more: Having done more research now than I have, I understand just how small the Fantasy/Science Fiction audience really is. (Horror is that much smaller.) I have a few friends who jump at opportunity. I’ll be honest here. I don’t have any issues with writers sitting down and producing quality work for any reason. Getting other products out and bylines completed is a great strategy. I’ve had people loop me in on anthologies. I’ve only volunteered for one, and that was because I had the idea kicking around my head already. I can’t seem to write anything but the story playing out in my head. This is why Bob came out when it did, and was then followed by the much darker Caught. To be honest, it’s hard to keep my mind on Oneiros because Perception of War is playing like an X-D theater in my mind. Writing Kaitlyn’s short story has done a good job to help get the Oneiros juices flowing, which is one of the two major reasons I decided to make that my main project. I’m also aware that some genres simply sell better. I have friends that insist I’d be a best seller by now if I wrote romance. I’m not actually against any writer producing any quality work. I just don’t have a lot of “romance-specific” stories running around my head. Also, those novels are much tighter, fast-paced stories. I have to force my self to keep the word count down. How many of you struggle to write in a metaphorical box? This may mean you’re writing to try to satisfy an audience or produce a story for something for the sake of a byline. Again, I can’t stress enough how OK I am with it, I simply don’t have that ability. I have to write what’s in my mind and in my heart.
Getting Product Out in a Timely Manner: This leads me to the third topic (and I think I’ll stop here even though I could go on much more). I love epic fantasy. Most of my projects are large. But it takes time to write 400,000 words (or even 100,000). So when an idea for a shorter format story came to mind, I went at it. What this will do is something I feel is a financially beneficial decision to keep me in the lighter shades of red while I produce the deeper, wider-scoped stories I love most. I would’t be able to do this on the spot. Even Sojourn was a tangental project that was made harder for me because my mind wanted to focus on Images of Truth. The main reason I was able to work on it as quickly as I did was Elele is in both books. This other world captured my fancy. The theory is I can do one “large” project a year (like Caught or 1,200), and one or two smaller projects. I’m holding off on releasing until I build a buffer of sorts that allows me to release product more frequently, but that’s the ideal pace for me. I still admit I don’t prefer this method at the moment. I like to work on a thing until it’s done (or the draft is done) and then step away to something else. Based on where I am with Oneiros and 1,200, my newer short-fiction saga (called Mercer in case you’re wondering) is what will be my “step away” project while I’m in between drafts of the Oneiros log (not to mention trying to get 1,200 out there). The question here is, what is your ideal pace, and what do you all think is a solid “release” year?
I’d ask any author to comment below. If you could, please state what you have out and some record of where you are in terms of being a business author. What are your thoughts on these topics? What works for you?
I thought this was a good chance just to open the doors to the community and get a dialogue going on these subjects. If this goes well, I’ll make it an occasional post.
Thanks for reading,