The cover for this book was taken from its Amazon buy page for review purposes under Fair Use doctrine.

Spoiler free summary: In Redawn by Brandon Sanderson and Janci Patterson, Even as the Galactic Superiority offers peace and placation, the last remaining humans receive a warning in the form of Alanik, the alien who crash landed on Detritus to warn Spensa of the coming threat. She’s woken up, and now she wants to defend her own home, and that will require a different alliance. Secrets are revealed, and everything will change before this battle for Redawn is finished.

Character: The characters and their arcs are the main reasons why this book is surprisingly wonderful. I don’t mean that I didn’t expect it to be fun or good. I just didn’t expect it to be this good. Jorgen absolutely steals the show. The weird part is that the story is told from Alanik’s point of view, an there are times when I feel like I’m reading her summary of Jorgen’s story, and that is awkward. Alanik’s arc is far less interesting than the things going on around her.

Exposition: Other than the necessary reviews that happen with any book in a series, this book is pretty seamless. Honestly, this book flew by for me. It’s probably my second favorite book in the saga (Cytonic was cool for a few reasons). So any time the pages fly, I know it wasn’t bogged down by needless data dumps.

Worldbuilding: We see a new planet and a new culture here. There are some interesting cultural elements in Redawn that I enjoyed. I liked the scope this story created. We’re starting to see the greater universe of this story, and when that’s combined with compelling characters, the story is exponentially better.

This image of Brandon Sanderson was taken from his author bio page on his webite.

Dialogue: One of the biggest character and plot points actually happen as a result of dialogue. Honestly, if one wanted to study up on how to use dialogue to develop character and plot, this book (heck now that I think of it, there are two) is a great case study. The impact moment occurs during the plot. A big turning point. (Now I’ve thought of three!) This book really is packed full of beautiful moments (both good and bad) that work well because of how the dialogue worked.

Description: The description here worked just fine for me. I wonder how fans of hard science fiction would feel about it. Most of the historically best-selling science fiction novels I’ve read have an amount of description and details that annoy me (but not too much). The books I hated are the ones that just annoy me to no end and seem to freeze the plot. This book never comes close to freezing the plot. I’d say there’s probably more description than an average Sanderson novella, but given the amount of new characters and locations we see, it makes sense.

Overall: This book is severely underrated. Yes, it’s a YA novella, but man is it compelling. It exemplifies that a book doesn’t have to be large to be great. If I were a voter, I would actually strongly consider nominating this book on its own for a Hugo in the category. I don’t think it would hold up. Frankly, most Hugo winners are more … contemplative than narrative, but I think this book is fantastic despite what it is (not “for what it is”).

Thanks for reading,


p.s. I worked very hard to get an image of Janci, but whatever is going on, I can’t seem to save her image.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s