Spoiler free summary: Peace Talks is the sixteenth book in the Dresden Files series by Jim Butcher. All the magical powers in the world are holding negotiations to end hostilities, and that’s when Harry’s brother, Thomas, decides to do something stupid. Already caught between four very different and conflicting lives, Harry must navigate these tightropes that can’t coexist. But most people aren’t even remotely interested in peace. One group plans to use this for its own ends.
Character: On one hand, it was just so good to see Harry and Murph and the others, that a part of me just sort of relished having them back. I remember feeling like this book was good to see old friends, but that the story itself didn’t really move for me. However, just having the gang back after I don’t know how long, made me happy. I must also note (and I feel this is the right section to do this) that I sort of consider these two books to be one larger story kindly split in two reasonable chunks. They are absolutely part of one narrative arc. However since both were individual titles, I kept them as separate reviews. I think readers should read both one right after the other to get the right effect.
Exposition: I was a little surprised here because while there is exposition, I actually expected there to be more. It’s be a looooong time since we’ve seen Harry, and I for one didn’t re-read the other books to re-familiarize myself with the plot. There’s really not so much going on that one can’t catch up, but maybe this isn’t the book to start. Honestly, this book (if I understand what I think I understand) is sort of leading up to the very end of the Dresden Files, which I disagree with. There’s so many more directions for this story to go. Hopefully I’m wrong. Regardless, it’s still leading to the end of a conflict that has been building for a few books now. So new readers will, I think, be a bit lost.
Worldbuilding: Given that this is the sixteenth book, Butcher doesn’t really expand on the world he’s been writing in. Instead, he just uses it as a launching point. This is another reason why it’s not a recommended path for new readers. It’s a solid edition to the series, though not great in and of itself.
Dialogue: Most of my favorite authors have witty dialogue. This is no different. It’s good to hear the banter between characters. It’s every bit as enjoyable as any other. I don’t really know what one would have to do to have “great” dialogue. But good dialogue is that in which the conversations express character at least (if not more than) advance the plot or provide exposition.
Description: If I’m being fair, it’s hard to evaluate something I don’t typically want to think about. I know Harry is tall. I know Murph is short. I know Thomas is handsome. I know Harry’s grandfather is old. So I have what I need to a certain degree. I think Butcher is great with fight description and scene description. But I don’t know that I can see the characters so much. I don’t personally care. I tend to want stories where I can sort of book my own cast. But then I think about Wheel of Time, which got annoying with description, but I can picture those characters in my head. I think writers should consider this and what they want readers to do when they write stories.
Overall: This book is more of a ramp up to the next, and that’s OK. It’s not a great stand alone story. I even remember feeling a bit let down when it came down to it. However, the next book (see my review next week), delivers on the promise this book makes.
Thanks for reading,