No One but You Wants to Sell Your Book: A Scam Warning

No One but You Wants to Sell Your Book: A Scam Warning

shakedown-1340048_960_720One of the biggest things I feel for early on in my career as an author involves the appearance of help.

What happens is someone from a company calls you.  I was just sitting in my room editing Caught when someone calls.

“Hello, I’m is this M.L.S. Weech?”

I ignored the suspicious accent and rough pronunciation of my name. You see, someone called my author identity. I was finally noticed!

“This is,” I said, feeling my heartbeat race.

I can’t remember what company he claimed to be in, and I don’t want to dime out the other company that fooled me the same way (though that looked far more legitimate than this first company).

Things they say:
“Our research team has tagged your book as one that’s very appealing to our market.”
“I’ve read your book, and I really think there’s a lot going for it.”
“Our reader surveys have identified your book as one that rated very high.”

Other things they say:
“We’re prepared to present your book at ‘insert fake book conference.'”
“We’d like to market your book.”

So, on my infinite list of things I wish I’d known or even just thought of:

  • What self respecting marketing company has to solicit books to market? Seriously, their job is to put brands in front of eyes. Their entire profit margin is based on selling things. People go to them to market a product. They don’t just randomly call people.
  • Anyone who calls asking for your money, isn’t interested in helping you make money.
  • Even if they’re offering to pay X for Y. They’ll eventually get around to asking you for money.

This leads me to last night. I’d already had a fairly unpleasant day. So imagine my mood (those who know me know I’m not one to suffer much in the way of wasting my valuable time) when someone calls.

First warning: They used my real name and not my pen name. I have nothing against my real name. It’s a bit hard to pronounce, which is the reason for the pen name, but I like it. The thing is, this caller didn’t even speak about the author credited for my book.

Second Warning: “I can tell you’re reading out loud.” When this woman called and told me how readers rated it 90-something percent whatever, she started off by saying, “I’m calling about your book….The….Journals of….Bob…Drifter.”  (Clearly she’d done a tone of research on my book. I mean, she worked so hard, she forgot the name of the book she was researching.)

dollar-163473_960_720I tried to be nice:
I’m smarter now than I was a few years back. So I usually have a nice conversation. I’m polite. I get a kick out of these people who want to tell me how great my book could sell, but they can’t even name the main character (the hint is on the cover folks). But, as I mentioned, I was already in a fighting mood. So, the most nice I could have been was to be  frank:

“I’m sorry ma’am, but if you’re calling to offer me services that will cost me any money, I’m not interested. I’d been scammed before, so unless you’re offering me services at absolutely no cost to me, I’m not interested.”

Anyone who knows me knows that was probably the moment this individual should have hung up.  She didn’t.

Don’t worry, Sis, I still wasn’t that bad:
I can get flat out mean on the phone (one of my sisters gets pretty upset at me when I lose my temper on people who waste my time on the phone).  It’s a failing of mine, but this time, because I already knew I was ready to spit rage and discontent in the face of any who dare appear before me, I reminded myself that no one actually deserved said anger.  She went on to carefully avoid using the phrase “no cost to you.”

She said things like, “We’re prepared to do this marketing for you for this amount of time.”  Then she went into her pitch like a bull in my freshly mopped China shop.

I was still pretty direct:
Before she could finish her rather elaborate plan that didn’t include my target audience, my demographic or my local market, I said, “I need to stop you there. The question I asked was, are you doing this at absolutely no expense to me.”

She said, “Like I said, we’re preparing to offer you…”

I said, “Ma’am, I asked you if you’re going to do this at no cost to me. Please answer yes or no.”

safe-913452_960_720This apparently hurt her feelings. She told me she can’t work with me. I’m apparently a negative person.

Honestly, I was, but she was trying to steal my money, so I don’t, exactly, feel guilty about it.

The thing is, my first year I lost $24,000 (that’s not a typo). So be direct.  I found a blog I think really gives you a good way to vet people, but I stand by my original statement:

No one, ever, is going to call you and say, “I want to help you sell your book.”

Well..okay, an Agent may call you, but he’ll know your name and the name of your book, and you’ll have sent him a query.  Same with a publisher.  But no one, ever, is going to call you out of the blue, and suddenly want to sell your book. Spend that money on a marketer you’ve researched, conventions you can attend, or publishing a new book.

Don’t fall for the traps. We in the indie author community support you. Bounce these opportunities off us. Search any company that calls you. Chase your dream, but don’t let others take advantage of that dream.

Thanks for reading,

Matt

 

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The Art of Writing vs The Business of Being an Author: A request for discussion.

The Art of Writing vs The Business of Being an Author: A request for discussion.

As I grow as a business man, I learn more about some of the decisions writers make, and I felt it was appropriate to discuss some of these issues in an open forum. I’m really just taking a few minutes to gain a sense as to what the rest of the community of authors out there thinks about a few things that have come up during conversations or conventions.

BobsGreatestMistakeThe Amazon formula: At Awesomecon, I spoke with a few authors about a practice that I find a bit underhanded. It’s one thing for an author to release segments of a book. One wise piece of advice I’ve heard about long-form authors is to release segments, and then release an omnibus book when everything is done. However, the more sly tool I’m opening for discussion is the habit some authors have of publishing a book. Amazon tracks “Hot New Releases” for 90 days. What some due (and it works for them, so how mad should I be), is then slap a new cover on the book and re-release it. Thus restarting that 90-day tracker and keeping the book appearing on the relevant pages. As I look at covers every day, I see this on occasion, and I hear about it more (admittedly more than I actually see it). The first topic of discussion is: Is this practice bad form or what it takes to get out there? What do you authors think about the practice as a whole an any who do it? What information do you have on the subject? (I have word of mouth and a few discussions here or there.)

Writing the story that’s in your head or the story that might earn you more: Having done more research now than I have, I understand just how small the Fantasy/Science Fiction audience really is. (Horror is that much smaller.) I have a few friends who jump at opportunity. I’ll be honest here. I don’t have any issues with writers sitting down and producing quality work for any reason. Getting other products out and bylines completed is a great strategy. I’ve had people loop me in on anthologies. I’ve only volunteered for one, and that was because I had the idea kicking around my head already. I can’t seem to write anything but the story playing out in my head. This is why Bob came out when it did, and was then followed by the much darker Caught. To be honest, it’s hard to keep my mind on Oneiros because Perception of War is playing like an X-D theater in my mind. Writing Kaitlyn’s short story has done a good job to help get the Oneiros juices flowing, which is one of the two major reasons I decided to make that my main project. I’m also aware that some genres simply sell better. I have friends that insist I’d be a best seller by now if I wrote romance. I’m not actually against any writer producing any quality work. I just don’t have a lot of “romance-specific” stories running around my head. Also, those novels are much tighter, fast-paced stories. I have to force my self to keep the word count down. How many of you struggle to write in a metaphorical box? This may mean you’re writing to try to satisfy an audience or produce a story for something for the sake of a byline. Again, I can’t stress enough how OK I am with it, I simply don’t have that ability. I have to write what’s in my mind and in my heart.

ElelefinalGetting Product Out in a Timely Manner: This leads me to the third topic (and I think I’ll stop here even though I could go on much more).  I love epic fantasy. Most of my projects are large. But it takes time to write 400,000 words (or even 100,000).  So when an idea for a shorter format story came to mind, I went at it. What this will do is something I feel is a financially beneficial decision to keep me in the lighter shades of red while I produce the deeper, wider-scoped stories I love most. I would’t be able to do this on the spot. Even Sojourn was a tangental project that was made harder for me because my mind wanted to focus on Images of Truth. The main reason I was able to work on it as quickly as I did was Elele is in both books.  This other world captured my fancy. The theory is I can do one “large” project a year (like Caught or 1,200), and one or two smaller projects. I’m holding off on releasing until I build a buffer of sorts that allows me to release product more frequently, but that’s the ideal pace for me. I still admit I don’t prefer this method at the moment. I like to work on a thing until it’s done (or the draft is done) and then step away to something else. Based on where I am with Oneiros and 1,200, my newer short-fiction saga (called Mercer in case you’re wondering) is what will be my “step away” project while I’m in between drafts of the Oneiros log (not to mention trying to get 1,200 out there).  The question here is, what is your ideal pace, and what do you all think is a solid “release” year?

I’d ask any author to comment below. If you could, please state what you have out and some record of where you are in terms of being a business author.  What are your thoughts on these topics? What works for you?

I thought this was a good chance just to open the doors to the community and get a dialogue  going on these subjects. If this goes well, I’ll make it an occasional post.

Thanks for reading,

Matt

Conventions from a Different Perspective: Shore Leave

Conventions from a Different Perspective: Shore Leave

Shore Leave was a few weekends ago, but I was a big backed up, and I wanted to do more than just update you on how it went (spoiler alert, it went well).

20245535_1081963961948376_2724749083115162963_nI met some great new readers.  Here’s a picture I took with a few. One was so kind, she continued to update me on where she was in the book each time I saw her. (She’d made it to Chapter 10 of Caught when I last saw her.) I’m happy to say I usually expect to sell enough books to make back what I paid for the table. This was true for Shore Leave as well. I even managed to get some autographs for my mom (she was a big Star Trek: The Next Generation fan).

I met several wonderful people at the panels I was on, two of whom (I happen to have their cards on my rat’s nest of a desk) were Kelli Fitzpatrick and Derek Tyler Attico. They weren’t the only people kind enough to let me hang with them during the panels, but I have their names handy, and I wanted to give them a shout out. Andrew Hiller was also just a few tables down from mine, and having him to chat with on occasion is always a good time. He was the one who gave me the opportunity to sit on panels he was unable to attend.

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All stock imagery from Pixabay.

I’m still working and learning when it comes to actually selling my books, but one of the things I like to do is peel back the curtain sometimes. You have to have a lot of conviction to just be a writer. Creating a book and revising it until it’s ready to publish is a mission of faith all by itself, but then putting yourself out there can be daunting. Remember, I’ve said conventions are my number one way to generate sales.

True though it may be, one still has to be willing to put himself out there again and again.  To help put it into perspective, I had a thought and acted on it (a bad habit of mine).

I decided to start tracking statistics.

I did that so people planning to do conventions knew that getting a table can work and be fun, but you have to be willing to work at it.

How I work. People are wonderful, and I think of them as compassionate people that are, at the very least, interested in the same things I’m interested in. Marketers (Steve, help me out here if I’m off) call this the funnel process, but I think of my process more like a series of doors.

Bob&Caught_Teaser Card FrontEvery person who walks by receives a little handout from me. People like cool, free things. I have cool chapter icons and covers, so I hand them out. When I do so, I simply say, “If you have a moment, I’d love to talk to you about my work.” That’s door number one.

When a person tells me they’re interested, I give them the pitch to each book. Then I tell them the sale I’m having (I always have a sale of some sort during a convention). That’s door number two.

If people like the pitch, I put whichever book in which they’re interested in their hand. That’s door number three.  If reading the first few pages doesn’t grab them, they probably say thanks but no thanks.

Every now and again, they show some level of interest. That’s usually when I direct them to door number four. I tell them about the electronic versions of my books and tell them about whatever e-sales I’m running. A great number of my online sales come from this.  I can’t get the numbers for The Journals of Bob Drifter yet, but I sold eight more copies of Caught in this manner.)  Yes, I want to make money, but what I want more is for people to like and enjoy my work. I don’t care if they buy the 99-cent (when it’s on sale) version of Caught, the free (with an credit) Audible version of Bob , or whatever. I write stories for people to enjoy, and I consider it my job to give them every option to choose from.

The thing is, it’s pretty daunting to hand out that many cards or book covers just hoping someone’s willing to give you a bit more time.

That’s when I decided to just keep count:

The first time I tracked it, I handed out seven book covers before someone listened to my pitch. The good news is, that person bought my book.

The next time, I handed out 12 bookmarks and gave five pitches before someone bought a book.  Sound pretty rough? Well, I don’t think 1-out-of-12 is all that bad myself. I’d actually be thrilled if that were the case.

broken-1739128_960_720I had to hand out 74 book covers and give 15 more pitches before I sold my next book. I won’t like folks, that was a pretty epic sledgehammer to my confidence.  I had that “I’m the nerdy kid at a junior high dance” feeling. I kept at it. Why? Well, for  one, what else was I going to do? Also, you’re going to get a lot of rejection and doubt in this field. You, frankly, need to be willing to fight through it.

The next time was a bit easier. I handed out 29 book covers and gave five pitches. Believe it or not, that fifth pitch sold two books.

Average it up and it took me about 31 book marks and seven pitches to generate one sale.   I don’t know what other authors do (and I’d be curious to hear about it in the comments below), but that’s actually a pretty good day for me. I would have done much better had I not left about 20 editions of Caught on the convention floor at AwesomeCon. (Just left them there. I completely forgot them.) For one, Caught was much more in demand at Shore Leave than it was at AwesomeCon (different audience). Also, bundling my two books as a deal tends to generate a few extra sales. Learning that made me want to crawl in a hole and cry for a while, but I had things to do.

I don’t consider myself super aggressive or even remotely aggressive. I try to be friendly, and I only communicate with people I think are at least willing to talk to me. My point is, you have to put yourself out there. I don’t think of it as 116 people didn’t want my book. That sort of thinking is poisonous. I considered each person I spoke to a new acquaintance made. Each sale was a victory in and of itself. If those sales result in good reviews, that’s all the more awesome sauce for my cool-guy taco.

music-545770_960_720So if you’re at an event, and you start to feel like that poor junior high kid who bought a brand new pocket protector just for this dance, get out on the floor and shake your tail feathers. Remember you love what you do, and you like people. The ones who get up and dance with you will be all the more special for it.

Thanks for reading,
Matt

The Con of Awesome! What I’m up to this weekend!

The Con of Awesome! What I’m up to this weekend!

13260113_808371919307583_171282834181363032_nHappy AwesomeCon everyone! So this convention has a special place in my heart. They were the first large con to contact me and invite me to their event. I’ve had a panel there every year (like last year) since I became published, and I have one this year as well.  I always look forward to this convention, and I’m excited about what I have going on this year.

First, I’ll have a partner in crime.  Fellow author Andrew Hiller will be with me at the booth, he’s joined forces with me. I read A Halo of Mushrooms, and posted my review here.  It’ll be nice to have someone to sit with and talk about writing with all day.  Andrew and I will be at table P19.

caught-front-coverNext, I’d like to announce a few sales. To celebrate this event, Caught will be on sale for 99 cents from now until the 19th. If you were waiting on a deal, this is your chance. Outside of the electronic universe, the hard cover for The Journals of Bob Drifter will be reduced to $30. The soft cover will be down to $20.  Caught will be it’s regular price of $9.99, but if you haven’t had a chance to grab any autographs from me, I’m bundling the books.  You can buy Caught and The Journals of Bob Drifter together for a total of $25 (with a soft cover of Bob, $35 for the hard cover and Caught). I wanted to re-release Bob before this, but it’s my own fault for giving my editor two books to edit at the same time (I’m selfish really). So reducing the price to Bob is the least I can do for those readers who want to try out my work.

As I mentioned above, I’ll be hosting a panel (actually it’ll be more of a Q & A).  It’s about the Pitfalls of Unwary Self Publishers. That’s scheduled for 5:30 June 16 in room 154.  I hope to see you all there!

AwesomeCon runs from June 16-18.  Doors open at noon Friday and close for another year at 5 p.m. Sunday.

I think that’s about it. I’m looking forward to a great weekend, and I hope to see you all there!

Thanks of reading,

Matt

Some Dream-Come-True Moments

Some Dream-Come-True Moments

b2b-WEBSITE-LARGE-BANNER-LANDSCAPE-The B2B Cyber Convention just wrapped up. I’ve been super busy these past few days, but I wanted to take a moment to share some things (one of which was truly amazing).

The first is a story I’d like to share with you all.

I’m a creature of habit. I do my laundry on the same day. I eat at the same place every Friday. I work the same schedule every day. I like routine. The thing about routines though is you tend to have this expectation that every day, week, and moth will work out exactly the same. Most times, when there’s an interruption to my routine, I’m actually quite difficult to deal with.  But sometimes, it’s just wonderful.

Every other Friday, I go to the same place to cut my hair. I eat at the same place as I do every Friday. I check to see what movies are out that I might want to see. I stop by the book store in the mall just to see what may have gotten released without my knowledge.  That’s when I head over the my hair place.

This particular Friday, I arrive to find the woman who does my hair isn’t available for  awhile.  I don’t think much of it. I arrange a time later that evening with her. I’m about to head out to knock a few items off my to-do list when someone taps me on the shoulder.

One of the other employees caught my attention and pointed to the woman he was working with.  The woman smiles and points at me.

“Aren’t you that author?”

(PAUSE)

You see, my whole life, I’ve always wanted to be, “That Author.” That identification may be on the top three list of things I want to put on my tombstone.  When The Journals of Bob Drifter was first published, my sister bought me a personalized pen.  When she gave it to me, I told her it was a life dream of mine to have someone approach me and ask for my autograph.

So when Karen asked me that question, she quite literally made one of my life’s dreams come true.

(RESUME)

17835117_1011596198985153_5655361246159593349_o
A picture of me and Karen after the autograph!

I don’t really remember much after that. My euphoria made it pretty hard to think straight. I said yes.  She said that she’d recognized me from my book (Journals). Since I’m a regular at Rafet’s (the place I get my hair cut), I thought to plop a copy of the book there so people could read it while they wait for their haircuts. Now, that book has been there since Bob got published (two years now).  Turns out, at least one person had been chipping away at it!

So we chatted for a while. She told me the book really grabbed her attention. We exchanged contact information, and, yes, I gave her an autograph.  I originally gave her an autograph on a sheet of paper (which I tell my students to always have on their person). The establishment actually gave her that copy of the book, so I later signed that one and grabbed a selfie with Karen.

The world is a wonderful place sometimes. A guy can just be going about his day, and suddenly God smiles on someone. The little things are usually more special than the big. That moment will fuel my dream to be a “successful” author for quite a while.

So to those of you a little earlier in their journey than I am, I say you have to remember it’s a marathon. You have to work. It’s not an overnight thing. This isn’t the realm for instant success. But if you keep at it, and you’re consistent, you’ll get these little moments that mean so much. My sales are still right about where they normally are, but I found a fan and a new friend. If you’re reading this, Karen, I say again, Thank you!

BloodSpringThunderclapThat was how my weekend started! I posted on Friday about the Brain To Books Cyber Convention 2017.

The first cool thing was how many more authors I met. I got to hang out more with Joshua Robertson, who I met a few months ago and got to know a bit better when his book Anaerfell was up for Book Cover of the Month. I also met so many other cool authors: My internet is really acting up, so I can’t really link them all like I want.  But just a few are: Heidi Angell (she’s not THAT kind of angel), Richard White, A.L. Mabry, Suzanna J. Linton (a fellow Dragonriders of Pern fan), Tim (again, my internet isn’t letting me find his last name), and Joe Compton. I PROMISE I could go on for days. I don’t know how many panels or group chats I did. What I DO know, is I’ll be adding a page to this website soon. I’ll add those videos, because they’re fun for readers, writers, and authors trying to figure out marketing.

Angela B. Chrysler and I had an idea at about the same time. I’d been trying to figure out a use for Youtube, and so she created Nerd Rage, which will be a monthly Youtube event we do. We’ll film them the last Saturday of every month. There may be a time or two we can’t all make it, but for the most part, there’ll be a handful of us just needing out about whatever topic Angela pulls out of a hat. (No, I mean that literally.) If you can’t wait for me to get around to loading what videos I’ve already been a part of, you can look at those and everything else here.

caught-front-coverWhich leads me to my last thought of the day. I’d mentioned that one of the events I was taking part in was a covers war. I’m very proud to announce that Caught won the cover war for horror and thrillers! I have to admit, I campaigned pretty hard to win. I was a big fan of my cover, and I wanted it to get recognized. It turns out, a bunch of my Facebook friends and a few of my Author/Wordpress friends (Hi JR! Hi Corey!) came to offer me support! Look, it’s basically just bragging rights, but it’s like I said, the little things make all the difference sometimes. So I wanted to end this post with a huge thank you for that support in giving that cover some love. Thank you all.  Now, I have a short story to revise, another short story to write, two books to write and a series to get started on. All by 2018.  So…I’m off.

Thanks for reading,

Matt

 

What Box Does This Fit In? The Importance of Putting Your Book in the Right Category

What Box Does This Fit In? The Importance of Putting Your Book in the Right Category
hot-new-releases-6
This screenshot was captured Feb. 3, about 6 days after Caught was released.

As I type this, Caught is still a long ways away (a month actually).  I recently read (and reviewed) How to Market a Book by Joanna Penn. One of her chapters spoke about categories and their importance, and that made me want to share with you some things I did differently this time around.

 

What I did wrong: I’m in love with my genre, and I (obviously) know The Journals of Bob Drifter better than anyone. I understand the magic system and the other three books (two written) that are related to it, but none of that matters. I didn’t see it, because I was trying to fit Bob and my work to where I want to be one day. I threw it in the Urban Fantasy category. It simply doesn’t belong there.

What I fixed: Well, the trick here (thanks to Joanna’s book) that worked was to think about Caught in terms of books that are related. What books does Caught feel like? What authors produce work that is similar to what this book does?

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This screen shot (taken Feb. 3) shows the various categories The Strain is in. Notice how well it’s doing in all categories related to Vampires?

The first book that came to mind was The Strain by Guillermo del Toro and Chuck Hogan.  That book’s primary category is Mystery, Thriller & Suspense. Down that rabbit hole of categories is a sub category called Supernatural > Vampires.  A few clicks down Amazon’s categories, and there for the taking was my category (there’re some spoilers in that area, but it’s there).  Bob is a Supernatural thriller as well.

 

(NOTE: The real trick is getting the book to register on those deeper categories.  For instance, The Strain is also in General Fiction > Horror.  Caught is in a few other categories as well, which increases visibility. That’s great, but I still focus on the category I know is best.)

But I didn’t just DIVE after the Supernatural category. I did some more searching around. I came up with a list of books and authors that all line up with Caught. I feel the readers who enjoy these books or authors will like Caught.

Night Chills by Dean Koontz

The Shining by Stephen King

Not all the stuff I looked up fell in this category, but many of them did.

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Bob isn’t doing so well in this category. Is it a bad book? (Screenshot taken Feb. 3)

I can shove my book into the Fantasy category if I want. But Caught isn’t Fantasy. It isn’t by any stretch of the imagination. Sure, I know Bob has a magic system. Eventually, you’ll see more of that magic (and even a monster), but even when I publish 1,200, a clever reader would have to look closely to see the connection between that book and Bob.

 

The lesson. Put your ego in a trunk, and throw it off the deck of a ship. I’m an author. I worked long and hard, sacrificed, and spent thousands of dollars on editors, but the PUBLISHING of that work, the MARKETING of it is about the CUSTOMER. Readers have the right to know that the book they purchase isn’t one they

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No. It gets good reviews, but it has no visibility because the people who will enjoy it can’t see it. (Screenshot taken Feb. 3) 

“might” like, but one you know they’ll love. Man was it hard to look myself in the mirror and tell myself that. ESPECIALLY while I’m getting ready to revise Sojourn in Despair. But that’s the right call.

 

Put your work in front of the small, specific audience you know will like your book. Some writers avoid this out of pride (abashedly raises hand). Other avoid it because they’re afraid. They want their book in front of millions of eyes.

People, I see dog poop on the road every day. Seeing it doesn’t make me want to pick it up.

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This image and the Feature Image were taken from Pixabay.

Your book (my book) isn’t dog poop, but it might as well be if you throw it on the busiest street (metaphorically) you can find. Because those people (metaphorically) are going somewhere. They’re looking for something specific. Put your book where YOUR readers are going.

If your sales are low. Ask yourself if you’re putting the book in front of the right readers. Try changing the category. I promise, you’re not going to sell fewer books.

For example, my category for Caught has 1,120 books. I’d rather go up against 1,000 books than the 293,452 in the broader category. J.R. (I believe he passed it along to me, but he’s the guy who told it to me) said be the big fish in the little pond. It took me a minute to find my pond. This is what worked for me.

When I shift Bob over to the right category, I’ll let you know how it affected sales and reviews.

Thanks for reading,

Matt

My Tour is Beginning to Take Shape

My Tour is Beginning to Take Shape

I feel now is the appropriate time to officially make an announcement as I’m starting to make contact with people and settle in on dates and conventions. I’m not registered with nearly enough conventions just yet, but I hope to change it.

This blog will receive revisions through the weeks as I set dates or firm up times, but if you’re in the area, and you’d like to stop by, say hi, grab an autograph, buy a book, or all o the above, these are the places I’ll be.

Jan. 28. Time TBD
Caught Book Launch
Twilite Zone Comics
18 Crain HWY N, Glen Burnie, MD. 21061

I did the book launch for The Journals of Bob Drifter here, and if I have my way, I’ll do all my book launches here. Bumper is awesome. His store is amazing, and I love comics!

Jan. 29. 1-2:30 p.m.
Book Signing
Greetings & Readings
118-AA Shawan Rd, Hunt Valley, MD. 21030

Greetings & Readings is way more than a book store. It’s a great location, and they were so helpful in having me do a book signing there last year. I’m honored they’re letting me back.

Feb. 12 1-4:45 p.m.

Lecture: Self-Publishing Considerations and Options
Glen Burnie Regional Library
1010 East Way
Glen Burnie, MD. 21060
(DISCLAIMER: The library was kind enough to provide a venue, but they are in no way endorsing my books. It’s important to note that as I’ll be selling copies of my books there, and as the library hosts many events, they are not endorsing me over any other product.)

June 16-18
AwesomeCon
Walter E. Washington Convention Center
801 Mt. Vernon Pl NW, Washington, District of Columbia 20001

I’ve been to AwesomeCon two years in a row, and I’ll be there every year if I have any say over it. I’ve also done panels there both years. I’ve put in for panels already, but I’m waiting on word as to if I’m being picked up.

Stay tuned for more updates as time goes by!

Thanks for reading,
Matt