Book Review: White Sand Volume 3 By Brandon Sanderson

Spoiler free summary: In White Sand Volume 3 by Brandon Sanderson, everything comes to a head as Kenton fights for the title of Lord Mastrell. He must earn the respect of his peers, preserve his guild, and discover the reason for the murder of his clan.

Character: I appreciated Kenton’s progression here as a rebellious son to one who better understands his father. That might even be my favorite part of this trilogy, but that’s actually a bad thing. The final fight was pretty cool. I’ll mention more about that below. I think I saw a bit more development from some of the other characters, but my issue is with one of the side characters. He has a pretty big shift in the story, and I didn’t really feel like it was natural. He had a very minor role though (in a manner of speaking), so it didn’t have that big of an impact on my opinion. It was just something worth noting.

Exposition: I think this is where the exposition was the roughest. There was a lot of data to share, and it either came up in exposition/narrative boxes or in dialogue that was a bit more Scooby Doo than I would have liked (see below).

Worldbuilding: Most of the worldbuilding was established in the previous volume. There’s a bit of a reveal here that I thought was interesting, and the political reveal (which is an aspect of worldbuilding) was believable if not satisfying.

This portrait of Mr. Sanderson was taken from his About page on his website for review purposes under Fair Use doctrine.

Dialogue: So the aforementioned Scooby Doo. There really was a scene here were the Kenton calls someone out, and the guy gives a speech very akin to a villain’s Scooby Doo speech. The only thing missing was, ” … and I would have gotten away with it, too.” That one scene was certainly a bit corny, but the bulk of the dialogue was crisp and witty. It might have been enough to bring the quality down a few pegs, but it didn’t ruin the whole story.

Description: This was probably the place where the graphic novel adaptation was at its best. Sure, there were other scenes that looked cool to see in the other volumes, but the pace and style of this final volume. That fight was cool to watch, and the scenery and scope was brought to life as well.

Overall: I think I’m being unfair, but I can’t help it. I’m used to epic storylines with vivid description that lets me play the movie in my head. I’m used to prose and style that pull me along. I’m used to deeper plots that let me get to know a character, and this format just doesn’t allow for that. But, if I were being fair, I wouldn’t have bought this graphic novel if it wasn’t Sanderson and Cosmere, so I wanted something that felt like one of the other Cosmere books. Maybe I just wish it was a longer series. Maybe I wish the plot wasn’t centered around political intrigue (the assassins and sand magic were tertiary devices at most). It’s not a bad story; it’s just not what I love about Sanderson’s other work. I think fans of the Cosmere should still pick it up to know what happened and get to know the magic system, but it’s not his strongest story.

Thanks for reading,

Matt





Book Review: White Sand Volume 2 By Brandon Sanderson

The cover image for this graphic novel was taken from its Amazon buy page for review purposes under Fair Use doctrine.

Spoiler free summary: In White Sand Volume 2 by Brandon Sanderson, Kenton ends up Lord Mastrell by default, but the Sand Masters who are left aren’t necessarily fully supportive of him. The ruling council is out to end the guild. Oh, and did we mention the assassins? The only person he can trust (if only a little) i s Khriss, a visiter from the dark side of the planet who has her own goals. Can these two work together to save the Sand Masters guild?

Character: Kenton’s growth here is more as a leader and a negotiator, but the man who strove to earn his father’s respect is starting to see his father in a different light. I stand behind what I said in last week’s post, but character growth is definitely something we see here. Not only does Kenton grow as a character, but his journey as the Lord Mastrell causes him to grow in literal power as well. This is one of the strengths of the trilogy.

Exposition: I feel more or less the same about the exposition in this volume that I felt for the previous. The exposition blocks were more scene and background portions of exposition. The story moved fine, but it didn’t pull me along.

Worldbuilding: The worldbuilding picks up in this volume. It’s more political than any other aspect of worldbuilding, but there is some development in the magic system. That’s probably the part that interested me the most. I have to say it wasn’t quite as prominent as I’d have liked, but it was enough to keep me interested in a story that more politically driven than by mystery or action.

Dialogue: Once more the graphic novel format allows Sanderson’s typically witty dialogue to shine. It also helps drive the plot even if it’s harder to hide the expositional dumps that are normal in dialogue. The story is at it’s best when Khriss and Kenton are talking, though there are some other conversations that stand out.

This portrait of Mr. Sanderson was taken from his About page on his website for review purposes under Fair Use doctrine.

Description: I felt like this volume was oddly (strangely) segmented. The idea may have been to weave the political intrigue alongside the assassin plot. So there were some incredible skirmish panels, but there weren’t the fight scenes that normally carry a graphic novel. So it’s good art that lacked the truly epic imagery that we normally find in these limited series.

Overall: This was a setup volume, and I think most trilogies would have this same style, so you can’t really hold it against this particular story. It sets up the drama and establishes a bit of mystery. I still affirm this story would be far better in a longer medium, but it’s an interesting story.

Thanks for reading,

Matt

Book Review: White Sand Volume 1 By Brandon Sanderson

Spoiler free summary: In White Sand by Brandon Sanderson, Kenton aspires to be a master, but he’s barely able to control on stream of sand. That doesn’t stop him from taking on a challenge only a master could overcome. No test, however, can prepare him for the events of the future. His guild is devastated by betrayal and murder, and Kenton must rise up despite his lack of power.

Character: Kenton is a fine enough character. I like his drive and effort. The most interesting part of this book is that Kenton is weak. Most stories reveal a main character who discovers a great power. Kenton is probably the best part of the story.

Exposition: So it’s here that I’ll I’m not a fan of the graphic novel format for Sanderson. I’ve been trying to put my finger on it since I finished reading it a few months ago, and I can’t really identify it except this: the graphic novel deprives a reader of Sanderson’s prose and perspective. So while the story was ok, it lacked the life Sanderson writes with even with the quality of the art. The story didn’t drag, but neither was I pulled along the way I was with nearly every other Sanderson book. Yes, I’ll probably check out Dark One, but I was surprised to realize how much I missed Sanderson’s writing.

Worldbuilding: This is a strength of Sanderson’s, and lack of prose didn’t diminish that. The world is interesting. The way the magic system works within the society is interesting. I feel like this got right what Elantris didn’t do so well for me. I am of the opinion that Taldain has a much bugger role to play in the Cosmere than it currently has, so I may think more highly of some aspects of White Sand’s worldbuilding than is justified, but at its worst, the story’s worldbuilding is comparable to most Sanderson stories.

Dialogue: Where I really missed his prose in some areas, I think the graphic novel adaptation did Sanderson’s dialogue justice. The characters were unique. The conversations weren’t just vaguely hidden expositional blocks. The dialogue was even charming in some places.

This portrait of Mr. Sanderson was taken from his About page on his website for review purposes under Fair Use doctrine.

Description: This was the other area I felt hurt the story for me at least in regard to Sanderson. Sure, the art was well done, and it was cool to see the power work in a visual format, but I felt like my imagination was deprived of its ability to visualize the story. It’s kind of unfair to say about the format, but it is how I felt. I think another aspect was actually how there weren’t a lot of fights. White Sand is more of a political drama than an adventure story. It has fight scenes, but they aren’t what drive the story, so a graphic novel loses some power without a lot if great fights to give it that cinematic feeling.

Overall: I’m glad I read it, and it was an OK story, but I hope Sanderson doesn’t release that much stuff (especially Cosmere stuff) in an exclusive graphic novel format. The story doesn’t have the same power it would have in a fully fleshed out Sanderson book. However, I’d take a graphic novel version as opposed to nothing.

Thanks for reading,

Matt

Book Review: Oathbringer by Brandon Sanderson

Image taken from the book’s buy page on Amazon for review purposes under Fair Use doctrine.

Spoiler Free Summary: Oathbringer is the third book in the Stormlight Archive by Brandon Sanderson.  My review for Book One is here. My review for Book Two is here. Dalinar Kholin has reached Urithiru. The Voidbringers have returned. However, Roshar isn’t united. While Odium’s forces gather, Dalinar must strive to find a way to get the nations to work together. But as he works toward his goal, his past begins to haunt him all over again. Kaladin returns home to face his past and learns the Voidbringers aren’t what he thought they were, in fact, they’re not what anyone thought they were. Shallan’s secrets mount against her, but the only way for her to progress is to continue to face them. Each role she takes fractures her mind again, and she must take control before she faces the challenges before her.

NOTE: If you follow my Goodreads account, you’ll notice I have this marked as “currently reading.” That’s my second read through (I won’t review it again so soon). I tend to reread books like this right away to make sure I didn’t miss anything.

Character: If this book was JUST about Dalinar’s arc, it would be the best book I’ve read in 2017. His story is simply amazing! It’s such a great blend of tragedy and heroics that I can’t really name a rival for it in all my memory. Shallan is improved. Her arc with a certain reoccurring character is as inspiring as it is charming. I must admit a certain grudge with Kaladin’s arc. I think I’ll talk about this more in a different post (no spoilers there either). Something happens with him, and I believe it had to happen for a few reasons. But this plot point felt rushed and then explained. It was very UN-Sanderson.  This explanation was done via flashback, and it felt to me like Sanderson saying, “You see, he would struggle with something like this.”  I think it’s a fairly significant knock, but even with this issue, I feel like Oathbringer is an amazing book. Keep an eye out for more on this subject, but I don’t want to dwell on the issue because it didn’t hurt the book beyond reason.

Exposition: As I mentioned above, we get a little of this, and that’s not common for Sanderson. However, there’s only that one slowdown as Sanderson patches up things in order to move the plot going. Other than that, this is his usual stuff. The book is HUGE, but it didn’t take very long at all to read it (I’m thinking 12-24 hours). The pages fly past, especially when you get closer to the end. When that happens, make sure you’re well rested and don’t have to use the restroom; you won’t want to put the book down for anything.

World building:  Like every one of his books (especially those in a series), Sanderson takes you somewhere new, and then ties that location to the plot. This is no different. A large portion of the book happens in a place I think a great many readers have wanted to visit.

Photo by Nazrilof taken from Mr. Sanderson’s website.

Dialogue: This is still what he’s great at, so I wasn’t surprised that it was done well in this case.

Description:  A few of the more critical plot points rely on the description here. It gives the book a lot of life while also letting Sanderson show off his world. I’d recommend you keep your eyes wide open for all of this book, you don’t know what you might miss.

Overall: I want to celebrate a bit. My brother and I had a theory heading into this book. It’s one of those, “Wouldn’t it be cool if!” theories. We also had a list of who we think might turn out bad. We were thrilled that the cool thing happened, and the “bad” thing we expected, well, as usual with Sanderson, it wasn’t how we thought it’d go. Sanderson is the master of rewarding readers. He has so many fan pleasers in this book. I couldn’t even keep track. I’d recommend this book JUST for the last part! The book as a whole is just like one giant bonus.

Thanks for reading,

Matt

Book Review: The Bands of Mourning by Brandon Sanderson

Cover used for review purposes only.

Spolier Free Summary:  The Bands of Mourning is the third of four planned novels in the second era of Brandon Sanderson’s Mistborn series. Wax is still dealing with a loss when he’s sent on a new mission to discover if the legendary Bands of Mourning are real. The Bands of Mourning are rumored to be the Lord Ruler’s bracers. Wax and his crew take off to find the Feruchemical artifacts that would possibly allow the wearer to hold all of the Lord Ruler’s power.

Character:  Say what you want about the series as a whole, I’d argue those who don’t speak highly of it are mostly those who don’t want to let the characters from the first era go.  Wax and Wayne are more than enough for this book, and they’re only the main characters.  Sanderson’s always done a fantastic job of making every character feel well placed in fiction. They all have roles and identities. These characters are reminiscent of Holmes and Watson.  In this case, Wax is so compelling, he truly develops into one of the better characters of the entire series. For those of you who just want to see some members of the old cast, fear not, there are cameos.

Exposition: Sanderson does a lot well, which obviously helps him be as successful as he is. In a world as deep and rich as Scadrial, it’s hard to imagine how Sanderson gave us all the information we needed without page-long paragraphs of data dumping. He still manages though.

Worldbuilding:  This is without a doubt Sanderson’s sharpest tool. I’m a bigger fan of Scadrial than I am any other Cosmere planets. There so much going on, and every turn is equal parts suspenseful and fantastic. The magic system is wonderfully intricate without chunks of text thrown in the reader’s face. Readers should pick up this series (let alone this book) just to see how someone can keep three magic systems, more than a century of history, and two mysteries together. Add to that how he’s expanding the world with short stories and inserted newspapers. Everything builds to the scope of this planet.

Dialogue:  Every time Wax and Wayne get to talking, they steal the show. They’re just so charming. For my money though, the best dialogue is at the end of the book. There are two separate conversations at the end that are so powerful because of their content and pacing.

Description: I’ve always felt that Sanderson was the perfect compromise between no description and over description. He does a fantastic job of letting us see what we see in a way that’s natural. It’s honestly been a while since I’ve finished the book, but I can still see every character with relative ease.

Overall: Mistborn fascinates me because it continues to evolve, but with Shadows and Bands, these characters have come into their own. It’s the best book of the second era so far. It has the right blend of mystery, action, and drama.

Thanks for reading,

Matt

I’m just Saying I Told You So

Cover and feature image taken from TOR.com for reporting of a newsworthy event under Fair Use Doctrine.

My first post on this website was one where I discussed books I felt would make a great Cinematic Universes.  I was elated a few weeks ago when I learned that DMG Entertainment made a licensing and film deal for Brandon Sanderson’s Comere Universe.  Here’s a link to TOR’s announcement.

The team has already selected screenwriters for The Way of Kings. It also appears as if The Final Empire is on the horizon.

My reaction:

First off, I’m totally geeked out about it. I didn’t just select this book because I thought it’d make a good universe; I selected it because I WANT to see these movies. If I ruled the world, I’d rather see the Mistborn movies first, but I trust Sanderson as a creator. He wouldn’t just hand his work to anyone for any reason. Everything this man does is done with purpose and the desire to tell the best story possible.

So that’s it for today.  I just wanted to be a smug SOB for a moment and celebrate the news. No, I don’t think my blog had anything to do with it, but it doesn’t devalue the idea.

So now that we know what movie is coming up first, any dream casting? Who would you cast as Kalidin or Syl? Do you think they made the right call going with Stormlight first?

Thanks for reading

Matt