The 2021 State of the Weech

The 2021 State of the Weech

Greetings all,

This is now the fourth year of my eight-year commitment to go all in on becoming a successful author businessman. My annual State of the Weech is just one way I use to track that, and it’s also how I let everyone know what I’m up to.

For a number of reasons, 2020 was a big setback for me as an author. With COVID, all the conventions I intended to participate in were cancelled. This meant the money I would earn there wouldn’t come. I was only able to release one title, my Christian memoir about my mothers death titled Testimony: A Trial of Faith. I genuinely thought I’d release Betrayed last year, but there was a huge gap because I had to simply save up money to pay for editing. I will have to continue to do that (more on that below).

While 2020 was hard on conventions and making progress on additional drafts, it did allow me to get a bit more writing done (if only a bit). I’m positive Betrayed will be out this year. I’m hopeful it will be out in the next three months, but that’s not a guarantee.

With all that said, here are my plans for what I hope is a rebound in 2021.

May 1 (or sooner): Betrayed: Book Two of the Oneiros Log. I’m almost done with the Beta Draft (as in only a few chapters away). From there I send it out to Sara for the proofreading. I’m also going to send this draft to willing Advanced Readers in exchange for an honest review. I’m pretty optimistic about this goal. I have to save up the money for edits, and I have to save up the money for the cover, but I think May is feasible.

These are sure things in 2021. I am about halfway through the discover draft of Discovered: Book Three of the Oneiros Log, and that will be my main project when Betrayed is published.

A quick update on projects I mentioned last year:

Sonnets for my Savior: I completed it, but I doubt it will be more than a series of blog posts. I’m not a poet by trade, and getting feedback has proven difficult. I was happy to have the idea and see it through, but that’s about where it ends.

Musings on Christianity: I also finished this blog series, but again getting participation proved more difficult than I’d imagined. I was happy to study my faith and research questions in a scriptural way, but I wouldn’t feel comfortable releasing this as it’s little more than my personal pondering.

So those projects are probably being left where they are.

Now for projects I am planning to work on in the near future:

Discovered: Book Three of the Oneiros Log. As I said above, am I’m about halfway through the discovery draft. I’d be over the moon if I got this book out in late 2021, but that’s super ambitious at this point. It is my next primary project when Discovered goes to print.

The 1,200: As I said last year, I’m meaning to get to this project. It needs some rework, especially considering current events in real life. But I still think it’s a good story. So I’ll make those edits and I’ll get it out there as soon as I finish Oneiros.

Visits From A Man Named Nobody: This is Christian Science Fiction. I’m posting segments each Sunday as part of my Testimony series. Since this is fiction, I will be publishing this when it’s finished. I’d expect this will be released sometime next year.

New Utopia: This story (pitched as Mistborn meets Avatar), needs revisions and edits, and I’ll jump on them as time permits. This will not be published before 1,200.

Mercer: This is a series I intend to write. I’ve come to realize I’m actually happier working on a large product and a small project at the same time. It gets more titles out and makes me feel more productive. Mercer is going to be a bunch of small novellas written like episodes of a TV show (I call Mercer Dresden Files meets Bones). I will start working on this on the “sooner” side of things, and it may come out before 1,200 (though I don’t think so).

Perception of War: Images of Truth: I did get a few thousand words added to this very large discovery draft, and I will finish the discovery draft of this before I do any revisions to 1,200. I really love this series as a whole (Sojourn in Captivity is basically a prologue novella to the series). I hate starting new books before I finish a draft of one I’ve been working on, so I will get Betrayed to print, finish Discovered (so those who love the series can see how it ends) and then get straight to work on this. 1,200 will probably come out first but this will become the main priority when Oneiros is done.

Leah Saldawn and The Nick of Time: The discovery draft is done. I’ll probably get this out one day, but it’s a very low priority for a few reasons. First: it’s targeted to a 12-15 year old audience, which is way outside my current marketing group. Next, I have so many other projects I’m looking forward to, so this one just isn’t that high on the priority list. It’ll get out there someday, but I wouldn’t anticipate it coming out anytime soon (as in the next three years).

My publishing goals: Discovered (guarantee 2021 release), Betrayed, 1,200/Mercer, Mercer/Images of Truth, Mercer/New Utopia. You see Mercer there a lot because it’s indented to be a constant series with me. I’ll release Volumes in smaller chucks (paperback) and Seasons in larger Omnibuses (box sets). The idea for Mercer is 12 novellas (episodes) / three volumes per season. The goal is to release a bigger project and then a Mercer episode in a sort of pattern. I’m not sure how it will actually play out, but it is the goal.

As for my eight-year goal? Well, I’m actually selling more digital copies than ever before, and that’s encouraging. Hopefully, I’m still losing less money each year. Again, after eight years, if I’m not making a profit or breaking even, I probably need to rethink some things. With COVID, 2020 became far more about marketing, and I’ve seen some positive results. I’m still working toward the dream of making this a full time gig for me. At the halfway point, it’s a little discouraging to see how far I still have to go, but it doesn’t change my drive.

If you’re interested in helping, the best way to do that is to purchase one of my books, read it, rate it, and review it. You can take it to the next level (if you like the book) by recommending it (or buying it) for a friend. In addition to God’s will, which I will always cheerfully submit to, this dream of mine isn’t possible without loyal readers.

That brings me to those of you who are loyal readers. I thank God for all of you. It’s great getting emails from some of you and seeing your reviews. It’s wonderful to know there are a few of you out there supporting me, and I truly hope your ranks grow.

I’m still grateful to God for what he’s done in my life. I have a wonderful wife and three great sons. I’m in good health. I have an amazing day job. In short, I’m truly blessed. I pray God blesses you all, and I hope you’ll continue this journey with me.

Thanks for reading,

Matt

The 2020 State of the Weech

The 2020 State of the Weech

Greetings all,

Three years ago, I made a commitment to give this my best effort for eight years. I’ve tracked that (in a way) by doing my annual State of the Weech. It’s my chance to let you know what I’m up to and what my plans are.

me2019 was a pretty good year in my opinion. I managed to release yet another four titles: Repressed, Sojourn in Captivity, The Repressed and Sojourn paperback flip book, and Stealing Freedom.

I can only say with confidence that I’m going to release two titles this year, and even that is going to be challenging, but I will do my best.

So without further ado, here are my plans for what I hope is a fantastic 2020.

March 1 (or sooner): Testimony: A Trial of Faith. This is the book adaptation of the blog series I wrote while my mom battled cancer. I put a lot of thought into whether or not to release it, but it feels like the right thing to do. All the royalties from the sales of that book will be donated to the American Brain Tumor Association. This project has way more to do with my love of God and my love of my mother than any artistic pursuit, but I have the proofreading edits back from Sarah, and I’m making my way through that final draft now. March 1 is probably the realistic date for that given how a book rollout (or as best as I know how a rollout) goes. My goal is just to have this project create a way to send the ABTA some donations.

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Even more on this! Once Sojourn comes out, I’ll release a single flip book which will contain both Repressed and Sojourn. I love flip books, and this gets me another physical book I can sell at conventions. Also, both these stories feature compelling young female characters, and I think they’ll fit well together.

Feb. 26: OffWorld, featuring Hazel Deep Block Terror Squad. This has been a dream project for a long time (since I was in junior high school). The comic by me and Collin Fogel, my best friend from junior high, came about organically, but I couldn’t be happier. I’m hoping to have copies of issue 1 available when I go to Four State Comic Con if not sooner, but you’ll be able to get it at your local comic book stores by Feb. 26. Please contact your local comic shop and ask them to order copies.

Fall of 2020: Betrayed: Book Two of the Oneiros Log. I know you’ve waited for this book, and I have the Alpha Draft going. I think it looks good, and the Alpha Readers thought well of it too. The goal is for that book to be my main priority (after Testimony). I’ll get that title out as soon as I can.

Now I’ll just run down the list of projects I have in various stages of development. I’ll try to order them by how I think they’ll get released, but it’s just too hard to tell.

new-lion-iconDiscovered: I changed the name from Hunted, but it’s the same project. If I release another book in 2020, it’ll be this book. I’ve finished the plotting to this story and started the overall outline. I’ll jump straight to this when I’m done with Betrayed.

Sonnets for my Savior: I’ve completed this “draft,” or blog series. I’ve given it to my pastors for review. If they decide it’s scripturally sound and we have enough sonnets left after editing, I’ll publish a physical edition of that series of poems.

Musings on Christianity: If you follow my blog, you’ve already seen I’ve started that as my Christian work. The blog is happening now, and once I’m able to get it reviewed, it may be formatted into a paperback, but that will also depend on pastoral review. I’m sincerely hoping to get what I hoped would be a panel to actually be a panel. As it stands, it’s really more just me contemplating questions I’ve asked myself as I grew in the faith.

reapedThe 1,200: This was actually something I intended to release a while back, but it just felt like getting The Oneiros Log done was the right call. If you liked The Journals of Bob Drifter, you might get a kick out of some of what happens. And if you look very closely, you might see some familiar faces. I might actually weave this in while editing Betrayed and/or Hunted. The question is when it will come out. I’m going to take a hard look at this story and make sure it works. I’ve developed quite a bit as an author, and so this story deserves an edit with my now more-critical eye. I plan for this to be released sooner rather than later.  That’s exactly what was on my last blog. I’m still mulling over some pretty big decisions on this story, but it will be what I intend to work on and publish as my next full length release.

New Utopia: I finished a draft of this story and realized it was two books. I intend to go back into this and expand each half into a duo-logy.  It’s a fun story. I call it Mistborn meets Avatar. Again, this only needs revisions and edits, but everything is pretty much waiting until The Oneiros Log gets finished.

Mercer: This is a series I plan to write like episodes of a tv show. Each season will have a specific plot, and each season will consist of a run of novellas.  I call it Dresden Files meets Bones. I thought I’d start working on it last year, but life had other plans. I will absolutely start working on it when Oneiros is done. Episodes from this series will be released while I work on the larger projects.

shepherdPerception of War: Images of Truth: So I was pretty deep into the discovery draft of that story when I started dancing around other projects. Sojourn became a priority, and now I’m gearing up to start this epic series. Images is the first book of at least twelve. It’s my special forces in space saga. However, that draft isn’t done, so what will happen is I’ll chip away at this while I’m editing 1,200.

Leah Saldawn and The Nick of Time:  I wrote the discover draft to this ages ago (Saleah wasn’t in high school yet, and now she’s all grown up!) I let it sit because it’s unrelated to other books and for a much younger audience (10-16). I don’t like leaving things on the shelf, so I’m not sure when I’ll fit it in, but I will eventually. There’s a thought about seven books here, but we’ll see how things go. This one’s written, so it will get published.

Before I hit my eight-year mark, I hope to have ten full-length novels published. That was always the benchmark three years ago. The idea is if I have ten novels, and I’ve been working for eight years, I should see some sort of profit in this business adventure. Thus far, I’ve been encouraged that I’m losing less money each year, but the goal is for this to be a source of provision, maybe even (the dream of dreams) a full time occupation.

You can help with that. If you’d like to, please, purchase one of my books. Give it a read. Offer a rating and review. Recommend it to a friend. The only way this is going to truly take off is with your help.

Whatever happens, I’m still humbled at how much has already happened. I currently have ten titles available, and I’m 30% toward my goal of ten full-length books.

I’m also humbled by each of you, readers. I’ve had the honor of speaking with a number of you about my books and hearing how excited you are about the next one. That sort of encouragement makes it so it’s hard to wait to publish the next story.

This is still wonderful evidence of God’s role in my life and his generosity. He also gave me people like you to talk to and hear from. I truly appreciate all that you’ve done, and I hope you’ll continue this journey with me.

Thanks for Reading,
Matt

 

 

2019 State of the Weech!

2019 State of the Weech!

Greetings and happy new year to all!

me2018 was a tough one for one very specific reason, but there were so many blessings both in my personal life and as an author.

I’ve now started a tradition, and I mean to maintain this one in which I let all of you know what my plans are for the year.

Last year I released four titles! The individual parts of The Journals of Bob Drifter, An Unusual Occupation, Bob’s Greatest Mistake, and Something Always Remains. I finished off the year releasing The Power of Words anthology. That gave me the chance to work with Heidi Angell, Richard T. Drake, and TW Iain.

I sure hope to release four titles every year, but this year might be a bit tough.  I’ve gotten a feel for the effect married life has on me, and so I’ve found a rhythm. There were delays though, and that might slow down the release pace. We also are only doing one convention (AwesomeCon) in 2019.

So without further ado, here are my plans for what I hope is a fantastic 2019.

Jan. 1: Repressed is live and doing well (more on that next week). It does provide more information regarding Kaitlyn from Caught, but it’s still different in that it’s absolutely a YA novel. It’s 99 cents from now until the 15th, when it goes to it’s normal price of $2.99. I’m still worried Betrayed isn’t going to be ready for a 2019 release (I’m trying. About 20 percent through the discovery draft as I type this.) So I wanted to give people who liked Caught some kind of story in that world that would hold them over until Betrayed is ready to go live. Kaitlyn is an awesome character, and I wanted her to have all the limelight.  The Audible version of that book is in production. I’m currently reviewing the files, and hope to have my feedback to Kenzie within two weeks, so I’d expect the Audible version to be available by February.

caught-front-coverJan. 25-29: Caught’s birthday bash!  Caught turns 2 years old Jan. 28, so to celebrate its birthday, the ebook will be free Jan. 25-29. This is something I mulled over last year but didn’t have enough of a handle on. Now that I understand KDP a bit more, I can work these in. I want to celebrate these wonderful blessings God has given me, and this is the best way to do it.

March 1-4: Bob’s birthday bash!  On March 3, Bob turns 4! (I’ve been a published author for four years! Huh!?)  Just as with Caught, I’m making Bob’s story free!

April 1: Sojourn in Captivity.  I’ve had this finished for a while. I meant to publish it last year, but Power of Words took on a life of its own, and so the release schedule shifted a bit. Sojourn in Captivity is more or less a prologue to Images of Truth. Images of Truth features a different main character, but Elele, who is a main character in IoT, was so amazing and powerful, I wanted to go back and look at just how far she’d come. I took a risk with this story. It’s written in first person, present tense. Much like with Repressed, I wanted to push myself as an artist. The way I do that is looking at a genre or style I don’t like and trying to do it in a way that satisfies me. I honestly feel this story turned out wonderfully! It’s powerful and emotional while challenging me in both the style (see above) and the structure. You see, I like nice, proactive characters.  Elele is a spoiled brat, and, as the title indicates, she’s literally prevented from taking action for a major portion of the book. I couldn’t be happier with how this turned out. It’ll be available for preorder some time in March, and it’ll go live April 1.  It’s already finished (and the cover is awesome), so I feel confident with that promise.

Even more on this! Once Sojourn comes out, I’ll release a single flip book which will contain both Repressed and Sojourn. I love flip books, and this gets me another physical book I can sell at conventions. Also, both these stories feature compelling young female characters, and I think they’ll fit well together.

ElelefinalJuly 1: So if I want to release four titles this year, something has to come out around here. I’m working on one project, but that might not happen. Could I get Betrayed ready to go? I have no doubt that I’ll get through a few drafts by then, but I don’t know that I can finish it. You see, Betrayed looks to be about the same size as Caught, which makes me happy. I want the whole series to be composed of fast-paced, action-packed quick reads. I can’t promise Betrayed will be ready by then, but I will try, especially if the other thing I’m working on doesn’t happen.

Oct. 1: Stealing Freedom: Stealing Freedom is my novella contribution to The Power of Words, so if you’ve already read that, you’ve already read this, but I think it’s (to date) the best story I’ve written, and all of us authors wanted a chance to let our stories stand alone. So I’ll wrap up the year releasing this independently so you can grab it up and enjoy it.

Now I’ll just run down the list of projects I have in various stages of development. I’ll try to order them by how I think they’ll get released, but it’s just too hard to tell.

new-lion-iconBetrayed: As I’ve said, I’m about 20 percent through the discovery draft of that story, and it’s going well. This has become my primary project, and I’m certain it will be out by Jan. 1, 2020, if it isn’t out sooner! This book features Dom much more prominently, and expands the scope of some of the events hinted at in Caught. The main characters of that story are Sal, Kaitlyn, Dom, and Zac, a new character who the government orders to take down Oneiros.

Hazel: This is the comic book I’m working on with Collin Fogel, my best friend in junior high and the cover artist for my first book. He’s received a lot of interest in the project, and I’m working on the actual text boxes for the first ten pages of the first of three issues. This is happening; it’s just a matter of when and through what publisher.

Hunted: This is the third and final book in The Oneiros Log. I have the main plot line down, but that’s about it. It will be the next thing I jump on when I finish drafting Betrayed. I’ll let the discovery draft of Betrayed sit while I outline Hunted. That will let me make sure I get my foreshadowing down and tie up any loose ends in the saga. It will be a main project in 2019, but it definitely won’t hit the market until 2020.  This book will feature Kaitlyn and one newer character you’ll meet in Betrayed.

Sonnets for my Savior: You’ve seen the weekly blogs I’m doing. I’ll eventually compile those sonnets into a book. My wife intends to do illustrations for it. This is an offering to God, who’s blessed me with this gift, so I wanted to do something that was completely devoted to him. It’ll come out in 2020 (after I finish all 365 sonnets and get an editor to glance at it). It might be delayed a tad because completing 365 water paintings is far more difficult than writing sonnets, so my wife might need more time.

reapedThe 1,200: This was actually something I intended to release a while back, but it just felt like getting The Oneiros Log done was the right call. If you liked The Journals of Bob Drifter, you might get a kick out of some of what happens. And if you look very closely, you might see some familiar faces. I might actually weave this in while editing Betrayed and/or Hunted. The question is when it will come out. I’m going to take a hard look at this story and make sure it works. I’ve developed quite a bit as an author, and so this story deserves an edit with my now more-critical eye. I plan for this to be released sooner rather than later.

New Utopia: I finished a draft of this story and realized it was two books. I intend to go back into this and expand each half into a duo-logy.  It’s a fun story. I call it Mistborn meets Avatar. Again, this only needs revisions and edits, but everything is pretty much waiting until The Oneiros Log gets finished.

Mercer: This is a series I plan to write like episodes of a tv show. Each season will have a specific plot, and each season will consist of a run of novellas.  I call it Dresden Files meets Bones. I honestly haven’t done much with it yet, but it’s going to start flying out of my fingertips as early as this year. Having something to work on that’s shorter will give me a way to release titles without forcing the larger works I write.

shepherdPerception of War: Images of Truth: So I was pretty deep into the discovery draft of that story when things derailed. I started Sojourn for an Anthology I thought I was going to publish with the HMS Slush Brain. Then I decided to write the entire Oneiros Log (I wasn’t going to write the other two books until my brother heard the plot points.) So this book kept falling back. I love this series. I love this idea, and I plan to play in this universe for years to come. I just have no idea when I’ll get back to this main book. (Feels like after Oneiros Log, while I edit New Utopia.)

Leah Saldawn and The Nick of Time:  I wrote the discover draft to this ages ago (Saleah wasn’t in high school yet, and now she works at a school). I let it sit because it’s unrelated to other books and for a much younger audience (10-16). I don’t like leaving things on the shelf, so I’m not sure when I’ll fit it in, but I will eventually. There’s a thought about seven books here, but we’ll see how things go. This one’s written, so it will get published.

Even as I type this, I’m stunned at how much is here. When I look back at March 3, 2015, I see a dude who was just stoked to see one of his books in print. Now I’m a steadily-producing author with a release schedule and readers who actually look forward to his next book. This dream-come-true is simply more evidence of God’s grace and absolutely made possible because of people like you! Thank you so much for your support. Thank you so much for reading my work and visiting my blog. Thank you for coming to see me at conventions and telling me what you thought of my work (even if it wasn’t very fun to hear). I’m honored to be where I am, and I look forward to seeing where the journey takes me next.

Thanks for Reading,
Matt

 

 

NaNoWriMo: The Spirit of the Month I Never Actually Participate in

NaNoWriMo: The Spirit of the Month I Never Actually Participate in

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All stock art from Pixabay.

Greetings,

As November approaches, which is a pretty big month for me, I’ve seen quite a few NaNoWriMo posts, and that got me thinking. I’ve written some 10 manuscripts in my life, and I’ve never once participated in NaNoWriMo.  I’m not going to participate actively this year either. However, that doesn’t in any way mean I don’t appreciate it.

The spirt of November is to get people writing. I have quite a few conversations with people who say they want to be writers, but sure enough, whenever I ask what they’re working on, they never do. NaNoWriMo is a beautiful idea designed to force people who say they want to write to actually write.

When I’m drafting (the portion of the writing process most directly related to NaNoWriMo), I end up writing at least 1,000 words a day, and I average 2,000 on the weekend.  So let’s see, that would equate to about 38,000 in a month. So I can’t proclaim I write 50K or have ever written 50K in one month, but I feel confident I’ve done it. At one point while drafting New Utopia, I’d written 10K in a single day just to see if I could. New Utopia is a ways down the road as that’ll need extensive revisions. The point is, I commit to writing everyday.  Oddly enough, that makes me think of Christmas or one of those heritage month celebrations.

help-2444110__340I honestly love Christmas. It is, in fact, my favorite holiday, but I promise there’s a correlation.  I get upset during heritage month celebrations because they always feel like pretense to me, which is offensive. It feels like, “Today is the day we’re going to acknowledge that people of different races, nations, or sexual orientations are important.” Meanwhile I stand there and wonder why we can’t just be respectful every day of the year? Why can’t we carry on the spirt of Christmas all year?

Do I claim to be perfect? HA!  Not remotely. However, I do make a serious effort to be generous whenever possible. To me, generosity is the spirit of the holiday known as Christmas. I also happen to feel personally that it was the day my savior was born, but that’s a different subject.

I also try my best to actually ignore differences. At work, I’m very unconcerned with what color you are, where you’re from, or who you sleep with. All I care about is your ability to perform your job. I love culture. Maybe not “experiencing” so much, but certainly “understanding” it, so I’m prone to asking blunt and endless questions. If I meet someone who’s been to or from another country, I tend to pepper them with questions. I remember when a dear friend of mine became Vegan. I was amused on one degree, but also curious. You see, culture is what makes each of us special, but I’m a firm believer that when someone points out differences, you’re creating segments. So I make it a point to focus on what we all have in common (the work).

So here comes NaNoWriMo, and a bunch of people will sit down and finally start writing.  (Hopefully they’re writing their submission for The Power of Words.)

dragon-860683_960_720My feeling, personal though it may be, is that NaNoWriMo takes away excuses. It’s beautiful. I’ve never needed a reason to sit down and write, but if this is what gets young writers in front of keyboards, then I love it.

No, I’m not going to try to write 50K, but I am going to try and get another draft of Repressed done (getting Bob’s second edition on shelves takes priority). That brings me to the spirit of NaNoWriMo, and in that spirit, I offer any first-time participants this advice.

Commit to a word count, but start small in the beginning: This is all the more important if you’re cold starting. Someone who has a few books written or has at least grown to writing every day probably don’t need to worry about this step, but beware overextending.  If you say you have to write 1,700 words a day, and that first day you only manage 700, you’ll feel defeated and quit.  You will gain speed and word count as you write every day. Don’t panic or quite if you only get a few hundred words out the first week. The more you write, the more momentum you’ll generate and be able to write. I promise!

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Ironically, this image of my students was taken during a failed attempt to teach capitalization as an active-learning exercise.

Write, but just write: I see my students fall into a trap. They want the thing they’re writing to be perfect on the first try. That’s impossible. I’m releasing the second edition of Bob Drifter and even that won’t be perfect, but it’ll be better. There’s more to it, but the relevant part of this is that when I draft, I don’t revise or edit. I just go. It took me, oh, I’d say two years to learn to let go of the desire to be “perfect” when I draft. The first book I ever finished writing went through 21 additional complete rewrites. Each time, I felt more and more defeated. There were many problems, but my biggest hangup was that I kept thinking, “This draft will be perfect.” I don’t think writers ever finish a book; they just run into deadline or realize they have to let go. I leave it to you to decide how many revisions and edits you should do, but if you never write the darn thing in the first place, you’ll never publish anyway.

Make every month NaNoWriMo: Never stop. I don’t draft nearly as much as I write, but I always push forward. Lately, I’ve done a better job of committing to a project. I finished Sojourn before I worked on Bob’s second edition.  When I sent that to the editor, I drafted Repressed, and even accidentally drafted The Worth of Words. Now that I have Bob back, I’ll get it on shelves (hopefully by the end of November), and then I’ll turn my full attention to Repressed.  But even when I send that out, I’ll shift right over to Worth of Words. My point is, I’m always working. I motivate myself by finishing projects, and having that project I want to get to planned. It sort of tempts me. You see, I’m excited to write Betrayed (the sequel to Caught). That means I can’t wait to finish those other projects so I can get to this one. The more you do, the more you will do. So have fun out there. I may not be with you in function, but I’m absolutely with you in spirit.

Thanks for reading,

Matt

Ripping off the Best to be the Best

Ripping off the Best to be the Best

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On occasion, I’ll stand in front of my students and discuss the problems I’ve faced in writing or in the Navy.  I’ll tell them about challenges with how I approach a story or how I deal with something when I struggle.

I look at these young men and women, hold my head up high, and say, “I cheat.”

If one looks around enough, they tend to see the same things happen over and again.  I don’t get as angry when people say, “there are no original stories,” anymore.  Oh, those who say that have poor english skills, but that’s because that’s not what they necessarily mean.  Usually, they’re talking about plots.  The originality should be the voice and vision of the author.

When I tell my students that I cheat, I wasn’t talking about violating the UCMJ or even academic standards.  I was simply expressing that I make every effort to learn from others so I don’t make the same mistakes.  That’s one of the reasons so many of my blogs focus on my mistakes.  There are a lot of people trying to make their mark in the world, and I don’t want them falling for the same tricks I’ve fallen for.  I don’t want them making the same mistakes I make.

hobo-826057_960_720I also like to take inspiration.  One of my favorite things is to put stories in an imaginary blender and see what original concepts come out.  I’m currently doing a read-through of an upcoming book, 1,200.  The glimmer moment (idea) came from a story I was covering for the Navy.  You see, there were (at that time) 1,200 homeless veterans in the city of San Diego.  So I took that actual issue and ran with it.  Remember that blender I told you about?  One thing that always seems too convenient to me (though I do it, too) is the arrival of the Mentor or Impact Character.  (Sometimes one man fills the same role.)

A little boy makes some glass disappear, and here comes a giant to explain the boy’s a wizard.

A farm boy buys some droids, and they just happen to belong to the man who can teach him about the Force.

There’s a million of them.

For the most part in my life, I’ve been blessed.  I’ve had some amazing mentors in my life, but I’ve also had to figure a few things out on my own.  So when I was brainstorming for 1,200, thinking about how to make this more interesting, I took away the mentor.  What an original idea!

blender-297110_960_720No it isn’t.  I TOTALLY stole that from The Great American Hero.  It’s about a guy who finds a super suit, but it doesn’t have any instructions.  I’m not even going to lie.  I applied an interesting concept in a different way.  So when my main character (whose name is probably going to change) discovered his powers, he was on his own.  This book is less dark than Caught, but still much darker than Journals.  So I took a concept, and made it my own.  I do it all the time.  And even if the plot police shine a light in my face, I’ll tell them, “Yeah, I did it! And I’d do it again!”

Heck, I think about what I can steal all the time.  I even steal from my day job.  We teach our Sailors about host nation sensitivities and cultural concerns.  The Navy takes great care to make sure its Sailors understand we’re representatives of our country and how to be good guests in all of the countries we visit.  This is true even in Iraq, Afghanistan, and other nations we’ve operated in.  The Navy knows it’s Sailors must be better people than those we’re there to protect others from.  That means we have to train our Sailors in what to think about.  I was about half-way through preparing that lesson plan a few years back when I realized it’s no different than what an author has to think about when worldbuilding.  Academic concerns lead me to hold back the majority of the list, but a few include cultural values and religion.  I’ve even mentored a few Sailors who want to be authors on this concept.

I steal from other authors.  I do not plagiarize.  If a magic system does something interesting, I file it away in my mental file cabinet.   The concept to New Utopia was heavily inspired by Valley of the Wind.  The trick is more about how you apply it.

QUICK SHOT 2011
Mass Communication Specialist 1st Class Matthew Leistikow, assigned to Fleet Combat Camera Group Pacific, leads Sailors in a wedge patrol formation during patrol familiarization as part of the Fleet Combat Camera Group Pacific Summer Quick Shot 2011. Quick Shot is a semi-annual field training exercise intended to train combat camera personnel to operate in a combat environment. (U.S. Navy photo by Mass Communication Specialist 2nd Class David A. Brandenburg/Released)

As I sit and look at 1,200, there’s a LOT of work I have to do.  I’m glad the Brown Pipers are enjoying it, but I still think there are some genuine issues to work out.  (If you remember my blog on discover writing, 1,200 is one of the last two books I wrote by discovery writing. Sure, I had some idea where I was going, but I didn’t outline at all.)   But the concept is working pretty well.

There are video blogs out there who explain a lot of your all-time favorite movies and songs are, in fact, not the original tales you thought they were.

What do I steal?

Parts of a concept:  I may not take the entire premise, but I do look for an element that fascinates me.

Fantasy elements:  I was going to say I steal magic systems, and I steal those, but then I realized I steal pretty much any ONE aspect of fantasy element if the mood suits me.

Elements of characters:  I wrote about this in my blog about character development.

What don’t I steal?

Entire plot lines:  Valley of the Wind inspired New Utopia, but New Utopia is built around a few separate issues.    Though others do this (and it’s not illegal or unethical), I don’t.  I don’t because I’d be too tempted to draw more and more from the source of said inspiration.  For instance, I borrowed the concept of the magic system in New Utopia from Mistborn.  It’s different enough, but I keep a very stern hold of myself.  I only take small parts.

lego-516559_960_720Let’s talk about blending again.  I mentioned it above, and this is something I do in pretty much every stage of life and writing.  I steal all of these great things, and then I take them all apart and put them back together like a Lego hodgepodge creation of my very own.  I don’t actually know where I got the technique from, but I haven’t seen anyone who approaches it quite that way.  So maybe that’s the one original thing I bring.  I’m not saying I’m the only one who steals, I’m just saying that’s my particular twist on burglary.  If you do it the same way, let me know.

Thanks for reading,

Matt

Deus Ex Machina: When Magic Solving Problems Causes Problems

Deus Ex Machina: When Magic Solving Problems Causes Problems

Possibly the biggest opponent to fantasy and science fiction is the concept of Deus Ex Machina.  literarydevices.net gave a description of the term, but I’d like to add to that.  When something arises that the reader isn’t prepared for to resolve the conflict, the reader will be unsatisfied with the ending.  Let’s be honest, as readers, we WANT to believe the ending is plausible.  We’ll take some pretty hanky explanations as background or foreshadowing.

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Image from The Two Towers used for educational use and review under Fair Use Doctrine. 

In The Two Towers, Gandalf basically said, Just hold off for three days and I’ll come kill whatever bad guys are left.  They fought for three days. Gandalf saved the day. No one batted an eyelash.

I’ve been speaking with Quintessential Editor about his book, editing mine, and outlining Sojourn in Despair.  That means I’ve been talking about magic systems like crazy.  Corey and I were talking about it, and I’d mentioned Sanderson’s Laws of Magic. I’m telling you, if you haven’t read these, and you write fantasy, stop writing and read this. It’s a solid group of guidelines.   Sanderson’s First Law is, “An author’s ability to solve conflict with magic is directly proportional to how well the reader understands said magic.”

I love fantasy. I love Sanderson’s work in particular.  The reason I love it though is because it has a sense of wonder. Bad fantasy destroys that sense of wonder with a sense of impossibility.    So when I read that law, I translate that to mean, “The better the reader understands the magic of the world, the more likely he’s going to accept that magic solved the problem.”

coverrevealIn The Journals of Bob Drifter, I took great care easing the reader into the magic system.  Some say I took too much care. But I take a great amount of satisfaction from the fact that no one has (as of yet) complained that the ending was too easy.  I spent some 110,000 words building up a villain that seemed unstoppable.  But as Grimm was doing dastardly things, I was explaining through a few characters how his power worked while also explaining how Bob’s power worked.  I feel if I hadn’t have done both, people would have called me out.  Actually, I was more concerned the reader would discover the trick too soon.  If that’s happened, no one said so yet. If you’ve read the book feel free to comment below regarding your thoughts.

I’m wracking my brain trying to determine a book that really failed at this. I’m sure it’s out there, and I’m sure I’ve read it, but I can’t honestly recall. But how do you prevent it?  Should you?

Should you?  Well, not necessarily.  (OK, you should TOTALLY prevent Deus Ex Machina, but you don’t always need a magic system which requires a degree in physics to understand).  Refer to the rule.  “An author’s ability to SOLVE conflict….”

What if you wanted to CAUSE it? Children’s, and young reader fantasy stories do this a lot.  No one sweeps in and saves the day with magic, but quite often magic is the cause of the problem.  I’d argue this is the case with Lord of the Rings.  Magic is far more responsible problems than it is solutions (Gandalf’s rescue included).  So…if you’re working on a story where magic is getting thrown around like crazy and all it does is make life miserable for the characters, GO FOR IT!  I don’t care how the magic system works.  It’s magic!

But what if the man is going to rely on magic?  Well then, the degree with which that magic is going to be relied upon must be that understood by the reader.  Here are a few things I try to do to avoid the problem.

One:  If Three is Good Enough for Tolkien, it’s good enough for me:  I consider this the LEAST an author can do.  I use this with foreshadowing and magic plot devices.  I make sure to mention the “trick” at least three times.  (Free autographed copy of my book if you can name the three instances I did this in The Journals of Bob Drifter.)

armageddon-1530229_960_720Two: The Mentor Magic Learning Montage:  I’m less and less a fan of this every time I see it and use it.  In 1,200, I took the mentor away JUST to avoid this.  Inevitably in most fantasy sagas, there’s the “mentor” who appears JUST as the guy develops his power.  How handy he shows up just in time to teach the guy how to become the hero.  It’s a common thing and not really a “sin” in writing. I’ve just personally grown tired of it.  (Though I did use a mentor archetype in New Utopia.  Even then, I added a twist just to be different.)  What this mentor can do is teach the user, and through him the reader, how the magic system works.  In these types of stories, there’s usually a “hint” (see above) at how something thought impossible could happen.  Or at least they do this next trick.

angel-1129922_960_720Three: Hang a Lantern:  When the character does something impossible, and another character goes, “How could that be!” The reader gets a clue that this is an intentional thing.  Then calmly waits for the explanation on how that should happen.  If you use this, you NEED to explain that later in the story.

Four:  Internal Dialogue:  This is the last one I use.  I used it most in 1,200, but I like it because it’s different.   The author can use conflict and internal dialogue to express learned experiences and ideas.  You can use the point of view of another character as well.  In New Utopia, one of my upcoming books, the hero, Wilum, does something impressive.  His mentor character (mentioned above) notices, then considers how it was done.  You actually see this quite a lot in Anime.

How do you avoid Deus Ex Machina?  Do you have a trick I don’t know about?  Please share it.

Thanks for reading,

Matt