Reviews! So Many Reviews!

Reviews! So Many Reviews!

Greetings all,

I’m just simply amazed at the number of reviews I am lucky enough to share with you. I’ll articulate how this was made possible in a future blog (I’m doing more research on that). For now, I have several reviews to share with you.  Some of them are only on Audible, and I don’t know how to link to just those reviews, so I’ll just copy-paste them in their entirety here. Then I have another review for Caught I’d like to spend a bit more time discussing.

First, let’s look at several new reviews for the Audible version of Stealing Freedom.

StealingFreedom_ACXFive Star Review from Anne-v:

“Wonderful novella!

Loved it! Loved the originality. Loved the characters. Loved the writing. Loved the story. Loved the narrator.
I’ll devour everything from this author. It’s that good.
Give me more!! I want a prequel and a sequel.
This is a future world where speaking has been deemed “dangerous” to established order. Speech is only allowed per word purchased. A mother risks everything to allow her daughter the freedom to speak.
I was given this audiobook in exchange for an honest review.”

 


 

Isn’t that great?!

I mean, I don’t even know what to say! This is the kind of review every author dreams of, and I’m so grateful to Anne for leaving it. Bless you!

Five Star Review from Dee:

“Great listen!!

I enjoyed this listen very much!! In the beginning, it’s hard to know where this story is going. The writing is incredibly well-done and the world-building was exceptional, albeit scary.

That ending was inventive and quite frankly, mind-blowing.

The narration kept pace with the other worldliness of the story. Love it!!!”

 


 

Again, this is a very kind review. I put in a lot of effort for the endings of my stories, so any time they get compliments, I’m particularly pleased.

Five Star Review from B VanDyk:

“I absolutely loved this sci-fi

I thought the premise of this future was fantastic. A great heist style story against an oppressive regime.
Thinking of the current culture to extrapolate to this end was an awesome commentary. I’m looking forward to more from this author!

I received a free copy of this audiobook in exchange for an unbiased review.”

 


 

All I can say is, “I’m happy to provide more!” All these reviews are so kind, and I’m so blessed and happy that people like Stealing Freedom. Honestly any rating and review is nice, but when they’re this kind, how can I not appreciate it that much more?

Caught_ACX_CoverThat brings me to this four star review for Caught:

The reviewer once again (she’d listened to Stealing Freedom and was kind enough to try another of my stories) left a review on both Audible and Goodreads.

This review is awesome! Now, is it as complimentary as some of the above reviews? Maybe not, but it’s so insightful, and I wanted to talk about one specific segment. You can read the whole review through the above link, but I wanted to focus on one part.

“The premise is very interesting, however, I was disappointed that this was book 1 of a series. This shares a lot of good elements from books like Dark Matter by Blake Crouch, and with 1 tweak (the death of someone), this would have made a great stand alone. As it is, and someone survives that shouldn’t have been allowed to, there will clearly be a book 2, and said character will be back.”

Later she says, “Also, the charm of this book is largely rooted in the dreams and the experiments. Without that mystery, I imagine sequels will basically be the A-Team with powers.”

I’m in no way about to “respond” to this review. That’s bad form. Her opinions are hers, and I value them. The interesting thing is that she would have liked Caught better if it was a stand alone.

kaitlynHere’s why that’s interesting: I originally intended it to be a stand alone.

I’d just finished Bob, and I really needed something light, fun, and fresh before I started on another ambitious project.

So then, I spoke with others in the business. If you look at my work, you’ll notice I barely hold still. Their advice was to generate books in a series to build a following. That advice made perfect sense to me.

Before you go too far, I’m not saying I invented Betrayed and Discovered just to pander to an audience. Yes, my goal was to provide people who like Caught more stories from that world, but it wasn’t just for that reason. I was speaking to my brother about some of the things I knew.

In once scene in Caught, Steve (one of the main characters), notes Kira (a secondary character in that book) has more reason to hate the general than anyone else.

My brother asked me why. When I told him, he loved the idea. I’d just filed the detail away as part of the world building and history of Kira’s character. But I wasn’t planning on going back to those characters for quite some time if at all. Once I told my brother that spolierific detail, he urged me to write that sequel, and that demand, combined with the advice of self-published authors I respect, led me to go ahead and write the other stories.

Repressed_ACX_CoverOneiros Log, even Caught as a stand alone, was always designed to be my super hero universe origin story. I love X-Men. I think the Avengers movies are great! But I’m frustrated at the lack of other super heroes. In my opinion, you’re either an X-Man, an Avenger, or a member of the Justice League. Everyone wants to write for those series. I wanted to create something that at least has a fresh perspective on supers.

But I think Brook makes a very valid and fair comment, and I felt that was a great point. I’ve often said I would go back and write several books in one universe if I had it all to do again. I’d still publish Bob. I’d still publish Oneiros Log (at least Caught). But I typically write the stories that are most energizing to me at the time.

It’s a interesting challenge to be an author who is a discovery writer at heart trying to make sure he’s building an audience. I made the decision to move forward with the rest of the story (which is way more about Kaitlyn and Kira), but it’s interesting to see someone feel the way I felt about Caught. I can only hope that the rest of the trilogy (and Kaitlyn’s little side story) are entertaining enough to justify writing them.

I thought about adding this information. I truly, TRULY, hope that this isn’t seen as a rebuttal to Brook’s very kind review. It was a wonderful review. It was a thoughtful review.

But I though that keen observation demanded an open and honest admission of my original intent and how I came to change my mind.

I’ve never had so many reviews to share at the end of one week, and I’m humbled and honored to have these to share. I can only hope and pray that the reviews keep coming.  I just want to offer my most sincere appreciation one more time to all of these reviewers. It’s my hope that the reviews inspire more people to give my work a try.

As always, thanks for reading,

Matt

 

 

 

 

 

The Symbiotic Relationship Between Heroes and Villains

The Symbiotic Relationship Between Heroes and Villains

Adam over at Write Thoughts commented on my blog about “traditional” vs “Flawed” heroes, and he got me thinking about one of the more traditional relationships in stories that are dwindling these days (but still out there).

joker-1822273_960_720
All images copyright free and available on Pixabay.

Do stories need good villains? What makes a good villain? This is something I’m actually pondering as I start thinking about other projects (a post which you’ll all see on Saturday).

The first thing I thought of, however, was the relationship that heroes and villains have in stories. I think there are a lot of stories in which the relationship becomes a plot in itself, and that inspired this post.  So let’s talk about a few of the more historic relationships:

Batman and The Joker: Batman is a hero who’s seemingly one bad day away from crossing the line, and The Joker seems to be the man who wants to push him over the edge. One of the things that makes Batman so compelling to me is his refusal to kill, especially in regard to Joker. What fascinates me most in this regard is that by being the man Batman refuses to kill, The Joker then becomes Batman’s very salvation.

I’ve been open about how I’m not a fan of DC, but the character I’ve always had the most interest in is Batman, and his relationship with The Joker is probably the most compelling aspect of the character. This was never more relevant than in The Killing Joke. It’s way darker than I would have liked, but it still shows that endless battle. This relationship is about temptation to me. I honestly think The Joker wants Batman to kill him, if only to show that every man could be brought below his morals.

 

fax-1889074_960_720Superman and Lex Luthor: I’m neither trying to go exclusively DC or comics for that matter, but this relationship is the absolute best example of this very phenomena. They are polar opposites. One has the power to do whatever he wants and doesn’t for the sake of who he wants to be and the people he cares about. The other has no physical power, yet still does whatever he wants because he doesn’t care about anyone. It’s just too perfect to leave out. I’ve had a lot of talks with friends about Smallville. Say what you want about the series as a whole, but I stand behind the first three seasons because that relationship and Lex’s progression into villainy was outstanding. Again, I’m not saying it was a great show for all its seasons, but if you want to study a relationship plot, watch that one.

In terms of comics, this is the most used technique. Xavier and Magneto. Wolverine and Sabertooth. Spider Man and the Green Goblin (or pretty much any of his villains). In terms of this relationship, comics are fish in a barrel.

Yes, I could mention a certain boy who lived, but I’ve seen a lot of people talk about him lately, and I want to give others a different point of view.

angry-1294990_960_720Abraham Setrakian and The Master: Before it was a TV show, the Strain was fascinating trilogy that took a horribly overdone idea and found a twist that I could get behind. This relationship is particularly fascinating because Setrakian is the obsessed killer in this. The Master is the aloof over powerful being. You could call it an inversion of Superman and Lex Luthor, and add a desire to kill, and you wouldn’t be far off. This relationship, however, brings a particular point to my argument.

In today’s world of literature, there aren’t many hero-villain relationships that are nearly as co-dependent as those found in comics. Like I said above, it’s fish in a barrel in comic books, but I have 312 books loaded on Goodreads (which is still much lower than the actual number of books I’ve read) and I had trouble finding examples in literature. Where are the man vs man conflicts? There are some subplots (Perrin vs Slayer comes to mind). But in high fantasy, the plots are larger than life.

polarization-1201698_960_720I think this observation presents an opportunity for a creative author to bring a comic mainstay into literature. I’m not saying this plot device doesn’t exist at all in literature, but it’s not common in science fiction or fantasy. The plucky hero is always facing something larger than life. If you disagree, feel free to comment below.

One explanation to this might be the scope of the story. Comics can handle that sort of plot because they’re serial by nature. The fans can tune in next week (TV) or month (comics) and see that battle. But I find that odd because those conflicts can (and for me they do) get old. As fascinating as Batman V Joker is for me, I’m just annoyed by now. But imagine a conflict between characters who are complimentary in nature and symbiotic by design? I find that idea fascinating.

Thanks for reading,

Matt